Since the release of their pop-rock gem When It Was Now in early 2013, Australia’s Atlas Genius has garnered accolades around the world.
The band has made capacity crowds dance along with their catchy anthems in small clubs and big festivals. But when frontman Keith Jeffery stopped by the Guild Lounge to perform their latest single “If So,” it was not the fast-paced mover that they typically play live. Instead, Jeffery grabbed a Guild 12-string guitar and slowed down the tempo, creating a dreamy way to enjoy the song.
Watch Jeffery in action below and visit Atlas Genius’ official website for more information.
Even though it was Grizzly Bear’s first time playing the Outside Lands music festival in San Francisco, it seemed like this band was meant for the bill.
The Brooklyn collective ran through a list of hits from their extensive catalog, plying their folky indie-rock wares to an enthusiastic audience.
Following the release of 2012’s Shields – which came out an agonizingly three years after their previous album Veckatimest – Grizzly Bear’s hearty fan club was anxious to see them live. Continue reading →
When Band of Horses took to the Lands’ End Stage at San Francisco’s Outside Lands Friday around 3:30 p.m., the atmosphere was slightly subdued, having been rocked to chill-mode by Surfer Blood.
But Band of Horses awoke the masses with their bombastic set that included a mix of hits from years past and several head-nodding numbers from their latest album Mirage Rock.
Early on in their set, Band of Horses pulled out one of their most popular songs, “Is There a Ghost,” relying on a constantly-building guitar crescendo and frontman Ben Bridwell’s unforgettable voice.
That was followed by “Electric Music,” a traveling song that really revved up the proceedings and seemed to be faster paced than the album version.
Proving to be one of the must-see shows on this summer’s festival circuit, the quintet knows how to switch things up while still honoring their original trackings.
Perhaps it’s a break of hearing it live, but “No One’s Gonna Love You” seemed to be even more haunting than it is on their record. That didn’t stop the building audience from singing along, but it did cause many to put an arm around a significant other and sway in hypnotizing agreement.
That was broken, however, for “Knock Knock,” the racing rambler that leads off Mirage Rock.
As they laid into the driving beat that moves the refrain along, the growing crowd clapped in unison.
Clap-clap, clap! Clap-clap, clap!
It was the perfect refresher to get things revved up for the rest of the festival.