Seattle’s indie folk-rock outfit the Head and the Heart recently took to Late Night with Jimmy Fallon to perform new single “Shake” and “Another Story.” The tracks appear on their upcoming sophomore album Let’s Be Still, due out Oct. 15.
Rolling Stone is now streaming the album in its entirety here.
Premier Guitar recently posted an in-depth review of the new Guild Starfire Bass reissue, as well as an audio demo.
“The original Starfires were intended to offer up an easy playing neck, and the vintage spec’d, skinny neck of this bass is no different,” noted reviewer Rich Osweiler. “The fret dress was super clean and the neck felt fast and comfortable as I spent some quality time working the Starfire unplugged. And while doing so, I found this semi-hollow can resonate like there’s no tomorrow.”
Osweiler’s final verdict?
“The new incarnation of the Starfire bass is a nicely constructed instrument and it’s hard to find much fault with it,” he wrote. “It won’t appeal to slap stylists, those looking for super-modern tones, or more aggressive players who might find the dual finger rests a nuisance. (They can be removed.) The Starfire, however, could become a go-to for many players because its rich, warm, mellow tones are more than fitting for R&B, jazz, and of course, rock ’n’ roll. This bass has a little bit of history there.”
Head here to read the full review and check out their audio file below.
U.K. singer/songwriter Scott Matthews was recently featured in MusicRadar. The Ivor Novello award winner for songwriter discusses his inspirations, gives tips on songwriting and arranging instruments and dishes on his favorite gear.
“I’ve always been drawn to Guild, partly because most of my influences played them,” Matthews tells MR. “I remember buying my first Guild – a 1977 D-25. It’s without doubt the one guitar I can take into battle and still come out with unscathed. It’s built like a tank and sounds as sweet as a blackbird at the crack of dawn. The new Guilds are even better. I’ve been fortunate to try the new prototype Orpheum series. They’re unreal; light yet rock solid, and the attention to detail is insane. They sound like nothing else, and the ’30s-era design ethos also ticks a big box for me.”